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From the organizers: Oolong Gallery presents: Amy Pachowicz Gilded Age February 7 – March 10, 2025 Opening Reception: February 7, 6–8 p.m. Gallery Hours: Wed – Sat 11 a.m. – 5 p.m. Appointments advised: info@oolongallery.com | +1 858 229 2788 Oolong Gallery is pleased to present Gilded Age, a solo exhibition by San Diego artist Amy Pachowicz. Through a series of evocative botanical paintings and large and small-scale collages, Pachowicz explores themes of nostalgia, impermanence, desire, death and sensuality, as well as the dissonance between personal memory and the larger world’s turbulence. Pachowicz’s delicate botanical renderings depict fragments of life—branches, feathers, and leaves—suspended in rich fields of color, relics of the natural world that once pulsed with vitality but now exist as remnants of what was. The artist grapples with the tension between artistic creation and the realities of global suffering, reflecting on what it means to live and create amid conflict and loss. “I hang bundles of cut plants in my studio: flowers, sage, my neighbors weeds that grew four feet high, even a found feather. I dry them, sketch them and draw them in a large format. I draw them alone against a background of color. These are large scale oil stick drawings of relics suspended in space; remnants of the life that once flowed through them.” Her collages, constructed from carefully sourced print media spanning the 1960s through the 1980s, are deeply personal yet universally resonant. Drawing from childhood encyclopedias, vintage magazines, and family ephemera—including materials from her father’s career as a traveling encyclopedia salesman—Pachowicz weaves together a visual narrative of a world once filled with analog wonder, before the digital age redefined the way we consume imagery and knowledge. The muted tones and textures of these compositions stand in stark contrast to the oversaturated, pixelated media landscape of today. “I compile collages of print media from my childhood and nostalgic images I’ve collected. 1980’s Penthouse, our family encyclopedia set (my father was a traveling encyclopedia salesman back in the 70’s), teen beat magazines and Charlie’s Angels posters, my grandmother’s Betty Crocker cookbook; the things of a girl growing up in a previous era of California, all make it into the collages. I remember a time when printed media had a feeling of value. I grew up reading books and playing in canyons, feeling grass and sun and skinned knees on concrete. The digital age and computerized images are different." "Color pictures from the 1967 encyclopedia Britannica are rich and soft; nuanced teals, magentas, mint greens and lilacs entertained me. Color photos today are full of primary reds, blues and yellows. I glance and look away. It must have something to do with a change in printing and inks. The encyclopedia I looked at as a child also had black and white images of far off places. A distant island, an uninhabited beach, an arctic glacier photographed in a way where it looked like an explorer was approaching for the first time; discovering a new land. Today the world feels overexposed from digital advertising.” Amy Pachowicz (born 1968) was raised in San Diego and is working with themes of nostalgia and nature. She studied archaeology and graduated from UCSD in 1996 with a minor in studio painting following a year at Barnard College, Columbia University, NY. Pachowicz’s practice is informed by an early academic foundation in archaeology, a discipline that continues to shape her exploration of artifacts—whether organic or printed—as vessels of memory and meaning. Her work has been exhibited at Oolong Gallery in Encinitas, juried exhibitions at the Athenaeum in La Jolla, and numerous group shows across San Diego since the late 1990s, including ICE Gallery in 2002.

Hundreds of artists signed a letter sent to the National Endowment for the Arts asking it to reverse policy changes made as a result of recent executive orders issued by President Trump.

The second preliminary injunction, issued by Seattle U.S. District Judge John Coughenour, indefinitely blocks President Trump's efforts to end birthright citizenship. It comes a day after a Maryland federal judge issued a similar ruling.

Another cocoa harvest in West Africa has come up short, leading to the worst deficit in decades. That means higher prices for chocolate makers and for shoppers.

The YouTube star PlaqueBoyMax built his following the usual way, livestreaming opinions on music and news. What's unusual is his latest move, which tests the modern meaning of the word "creator."

Concert Hour is a music enrichment series presented on the campus of Palomar College for our students, staff, and community by the Palomar College Performing Arts Department. Enjoy a range of exciting artists and musicians in the beautiful Howard Brubeck Theatre or Performance Lab D-10. The program is presented weekly during the Fall and Spring Semesters at 1 p.m. and ends at approximately 2 p.m. Admission and Parking are FREE. This Week’s Performing Arts Will Be Located in Performance Lab D -10 The Cal Poly Pomona Piano Ensemble is directed by GRAMMY® Award-winning pianist Nadia Shpachenko, who often performs with the group. The Piano Ensemble performs repertoire for piano 4-hands, duo-piano and for 3-20 keyboard players on multiple instruments, which include pianos, toy pianos, and harpsichords. The Collaborative Piano Ensemble also collaborates with singers and instrumentalists. In addition to performing repertoire from the classical canon, the group’s mission is to program and promote newly-written piano ensemble repertoire and to collaborate with contemporary composers. Most recently the Cal Poly Pomona Piano Ensemble worked with composers Zoltan Almashi, William Alves, Armando Bayolo, Madelyn Byrne, Nimrod Borenstein, Martin Bresnick, Tom Flaherty, Dai Fujikura, Christopher Jessup, Thomas Kotcheff, James Matheson, Evgeni Orkin, Tristan Perich, John Proulx, Samara Rice, Michael Roth, Jonathan Russell, Isaac Schankler, Adam Schoenberg, William Susman, Alex Weiser, Jack Van Zandt, and others. They recently toured many newly-written works in Boston, Florida, New York and California, and made many recordings, often in collaboration with professional guest artists. Visit: Dr. Nadia Shpachenko-Gottesman – Concert Hour Nadia Shpachenko on Instagram and Facebook

The San Diego City Council will receive a presentation at its meeting Monday on Mayor Todd Gloria's final proposed budget for Fiscal Year 2026.

The Trump administration may continue — for now — to keep the AP from covering key events. A federal judge declined to issue a temporary restraining order on Monday.

Concert Hour is a music enrichment series presented on the campus of Palomar College for our students, staff, and community by the Palomar College Performing Arts Department. Enjoy a range of exciting artists and musicians in the beautiful Howard Brubeck Theatre or Performance Lab D-10. The program is presented weekly during the Fall and Spring Semesters at 1 p.m. and ends at approximately 2 p.m. Admission and Parking are FREE. Highland Way Brian – As the founding member of Highland Way Brian is an enthusiastic and energetic singer and rhythm guitar player. Immersed in Celtic music while growing up in Glasgow, Scotland and having specialized in sound engineering at the prestigious Strathclyde University, Brian hit the road. Now residing in North San Diego County in California, he regularly plays live fronting the five / six piece Highland Way. Brian has successfully lead Highland Way to some of the most prestigious venues in the world, including the largest indoor theater in the USA, the 3000 seat Rabobank Arena in Bakersfield, the Redlands Bowl 5000 seat amphitheater and many others. When not performing, writing or producing under the ‘Highland Way Productions’ label you can find him shooting world class photos, walking his dog or riding waves. Paul – Lead Fiddle / mandolin / banjo/ bass and most anything with strings. Paul’s been playing fiddle and mandolin for over 50 years. Somewhere in that time he also picked up guitar, bass, banjo and keyboards. Paul’s an accomplished song writer and arranger having played with ‘The Chieftains’, ‘The Young Dubliners’, ‘Blended Spirits’, ‘Ken O’ Mally’, and regularly performed in LA’s oldest Irish Pub Molly Malone’s with ‘Garrison White’, and ‘Glen Cornick’, original bass player for ‘Jethro Tull’. He’s also joined ‘The Wolftones’, ‘Willy Clancy’, Tommy Makem’, and ‘Billy Connelly’. Visit: Highland Way – Concert Hour Palomar Performing Arts on Instagram and Facebook

Code Switch's B.A. Parker takes a look at the many ways our digital world is being erased.