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  • Furnishing a home can be overwhelming and expensive, especially for someone transitioning out of homelessness. A local nonprofit is helping.
  • Third Sunday Craft is a monthly gathering of creative writers that fosters support, inspiration, and community. More than craft classes, Third Sunday Craft will help you construct and sustain a writing practice. New focus topics for each session will challenge writers to explore and expand their craft. Generative writing prompts will encourage you to grow and learn in exciting new ways. Sharing your work within a safe, supportive community will help you discover and strengthen your voice. Finally, with the goal of fostering supportive accountability, each session will conclude with a writer’s intentions for the month. Come check out Third Sunday Craft! Please note that signing up for two months at a time will allow you to take advantage of the following discount: $62 for two months for members, $74 for two months for nonmembers December: The Art of Revision: This class will look at different techniques a writer can use to revise their works-in-progress. We will explore a three-part drafting concept: exploration, structure, and polishing. We will talk about these different modes for the writer and how to use them in our practice.
  • San Diego State University, Arts and Letters 201 – or live stream via Zoom PARKING: Parking Structure 12 (Aztec Bowl, San Diego, CA 92182) DIRECTIONS: https://htm.sdsu.edu/documents/ps12_map.pdf Free to members and the public and available via Zoom. Pre-registration required. About the program: The San Diego World Affairs Council is co-sponsoring the in-person and Zoom presentations by acclaimed author and columnist Peter Beinart. Beinart will discuss his new book, “Being Jewish After the Destruction of Gaza,” with SDSU Professors Jonathan Graubart and Manal Swairjo. The book confronts the dominant “pro-Israel” narrative, which features a recurring Jewish experience of persecution and victimhood that endures even amid Israel’s destruction of Gaza. That narrative, Beinart argues, both warps our understanding of Israel-Palestine and erases the richness of the Jewish experience. He imagines an alternate narrative of what it means to be a Jew and how to reckon with injustices perpetrated in the name of the Jewish people. In this future, Israeli Jews have the right to equality, not supremacy, while Jewish and Palestinian safety and dignity are co-dependent, not mutually exclusive. As Adam Hochschild writes, “At this painful moment, Peter Beinart’s voice is more vital than ever. His reach is broad—from the tragedy of today’s Middle East to the South Africa he knows well to events centuries ago—his scholarship is deep, and his heart is big. This book is not just about being Jewish in the shadow of today’s war, but about being a person who cares for justice.” The other sponsors of this event are: 1) San Diego State University organizations: Political Science Department, ISCOR, Jewish Studies, Center for Islamic and Arabic Studies. 2) UC San Diego organizations: Department of Communication, Center for Study of Religion, and Middle East Studies. 3) San Diego chapter of the American-Arab Anti-Discrimination Committee 4) San Diego Hinenu Havurah. About the speakers Peter Beinart is a professor of journalism and political science at the Craig Newmark Graduate School of Journalism at CUNY. He is also editor at large for Jewish Currents, publisher of The Beinart Notebook, a frequent contributor to The New York Times, and an MSNBC analyst. Peter Alexander Beinart was (born February 28, 1971). His parents were Jewish immigrants from South Africa (his maternal grandfather was from Russia, and his maternal grandmother, who was Sephardic, was from Egypt). His father's parents were from Lithuania. Jonathan Graubart is a professor and chair of the SDSU Political Science Department. He is the author of Jewish Self-Determination beyond Zionism: Lessons from Hannah Arendt and other Pariahs (Temple University Press 2023). Graubart is a co-founder of Hinenu Havurah, a progressive Jewish collective in San Diego. Manal Swairjo is a professor of biochemistry at SDSU. Her research focuses on RNA biogenesis processes and their links to human disease. Dr Swairjo was born in Gaza, Palestine. Much of her family in Gaza was killed by Israel’s destructive assault. In San Diego, she co-founded a Jewish-Palestinian dialogue in 2000 after the collapse of Oslo and the outbreak of the second Intifada.
  • "For Dear Life" opens at Museum of Contemporary Art San Diego, featuring American art about disability, medicine and health from the 1960s until the onset of COVID-19. For co-curator Jill Dawsey, this one is personal.
  • The NEA will no longer fund many arts programs that promote DEI or "gender ideology." The federal agency has cancelled grants for 2026 that have funded programs for underserved communities for more than 20 years.
  • There are so many great books to look forward to in 2025. But first, you'll want to catch up on these perspective-shifting titles from 2024, exploring art, the afterlife, nuns, nuclear war — and more.
  • Chilean families are having only one child on average. U.S. birthrates are also dropping but it's unclear whether the U.S. will follow into the growing group of "very low" birthrate countries.
  • Our intermediate art class for ages 5-11 nurtures artistic growth through more advanced exploration of color theory, composition, and techniques. Young artists will enhance their skills in painting, drawing, and mixed-media, focusing on developing their unique style and creative problem-solving. Visit: $15 Art Class for Kids ArtReach San Diego on Instagram and Facebook
  • Wednesday, 2 p.m.– 5 p.m. February 12 (1 Day, 3 total hours of instruction) On location in Mission Hills Paint the excellent views in afternoon light over San Diego from the historic neighborhood of Mission Hills. Students may also choose to paint the charming architecture. Painting outdoors gives the artist the opportunity to experiment with light, color, and atmosphere. This plein air painting class is taught on location in beautiful San Diego. Work with San Diego landscape painter Kevin Inman to learn how to paint spontaneously, simplify a complex subject, and enjoy the moment. Topics include color mixing, design, and how to let go of your inner critic. Materials: Recommended oil or acrylic colors (Gamblin and Rembrandt paints): Limited palette: Alizarin Crimson Permanent, Cadmium Yellow Medium, Ultramarine Blue, Titanium White. This palette saves money but limits your options in advanced painting techniques. Basic palette: Cadmium Yellow Medium (or Hue), Cadmium Yellow Deep (or Hue), Cadmium Red Medium (or Hue), Alizarin Crimson Permanent, Ultramarine Blue, Cerulean Blue Hue, Titanium White, Burnt Umber, or preferred alternatives. Recommended but optional palette: Ivory Black, Burnt Sienna, Yellow Ochre. Brushes: a range of brushes from #2 on up. I prefer hog bristle flats and filberts. Other: cup or jar for solvent; paper towels; palette or paper palette pad; Gamsol or Turpenoid; linseed oil or Gamblin Solvent-free Gel; sketchbook; pencil; vine charcoal; palette knife; gloves; travel easel or pochade box; hat and sunscreen. Supports: stack of inexpensive materials for quick studies and exercises, such as a five-pack of Blick canvas boards, size 8” x 10” or 11” x 14”, an Arches oil paper pad, or a canvas pad. Two larger canvas boards or stretched canvases, 11” x 14” to 16” x 20”, for longer projects. Max students: 12 Visit: https://www.ljathenaeum.org/classes/7 Athenaeum Music & Arts Library on Instagram and Facebook
  • Wednesday, 2 p.m. – 5 p.m. January 22 (1 Day, 3 total hours of instruction) On location at Sunset Cliffs Enjoy the golden afternoon light on the seaside cliffs in Ocean Beach. Listen to the sounds of drum circles and seagulls and the strident cries of Karens upset about people biking on the footpath. Smell the coastal sage and patchouli of the hippie tourists. This plein air painting class is taught on location in beautiful San Diego. Join San Diego landscape painter Kevin Inman to learn how to paint spontaneously, simplify a complex subject, and enjoy the moment. Topics include color mixing, design, and how to let go of your inner critic. Materials: Recommended oil or acrylic colors (Gamblin and Rembrandt paints): Limited palette: Alizarin Crimson Permanent, Cadmium Yellow Medium, Ultramarine Blue, Titanium White. This palette saves money but limits your options in advanced painting techniques. Basic palette: Cadmium Yellow Medium (or Hue), Cadmium Yellow Deep (or Hue), Cadmium Red Medium (or Hue), Alizarin Crimson Permanent, Ultramarine Blue, Cerulean Blue Hue, Titanium White, Burnt Umber, or preferred alternatives. Recommended but optional palette: Ivory Black, Burnt Sienna, Yellow Ochre. Brushes: a range of brushes from #2 on up. I prefer hog bristle flats and filberts. Other: cup or jar for solvent; paper towels; palette or paper palette pad; Gamsol or Turpenoid; linseed oil or Gamblin Solvent-free Gel; sketchbook; pencil; vine charcoal; palette knife; gloves; travel easel or pochade box; hat and sunscreen. Supports: Stack of inexpensive materials for quick studies and exercises, such as a five-pack of Blick canvas boards, size 8” x 10” or 11” x 14”, an Arches oil paper pad, or a canvas pad. Two larger canvas boards or stretched canvases, 11” x 14” to 16” x 20”, for longer projects. Max students: 12 Visit: https://www.ljathenaeum.org/classes/6 Athenaeum Music & Arts Library on Instagram and Facebook
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