Play Live Radio
Next Up:
0:00
0:00
Available On Air Stations
Watch Live

Search results for

  • In shaking up its Artemis lunar program, NASA's new moon plan looks more like the Apollo missions of the 1960s. Instead of landing on the surface on Artemis III, NASA hopes to do so on Artemis IV.
  • All are welcome to join our Youth Services Librarian, Ms. Jackie, in celebrating Día de los Muertos, or Day of the Dead, a time honored tradition remembering the beloved lives of those who came before us. Ms. Jackie will share a special story, lead the group with fun songs while playing her jarana, followed by an engaging sugar skull decorating craft. Special acknowledgement to the Dr. Seuss Foundation for its help in making this program possible.
  • Shortly after the president's ban of artificial intelligence company Anthropic, rival OpenAI announced it had done a deal with the Defense Department to provide its technology for classified networks.
  • A recent Israeli decision to bar Doctors Without Borders and other aid groups means international staff and aid can no longer enter Gaza or the West Bank. Local staff must rely on dwindling supplies and no international expertise.
  • Se supone que las prisiones de California deben dar 200 dólares a las personas que salen de prisión para ayudarlas en sus primeros días de libertad. Muchos no recibieron la cantidad completa.
  • The rule would allow housing agencies and landlords to impose such requirements "to encourage self-sufficiency." Critics say most who can work already do, but their wages are low.
  • The nearly $111 billion marriage would unite Paramount and Warner film studios, streamers and television properties — including CNN — under the control of the wealthy Ellison family.
  • While previous documentaries captured the frenzy of Beatlemania, Man on the Run focuses on McCartney in the years between the band's breakup and John Lennon's death.
  • What determines which artists are remembered and which are forgotten? Alice Barnett was one of the nation's most celebrated composers in the early 20th century, yet her name nearly disappeared from history. San Diego musicologist Katina Mitchell uncovers Alice's life and music, while experts trace the unpredictable forces behind fame, memory and legacy.
  • We are excited to present the 2025–2026 season of the Athenaeum’s Barbara and William Karatz Chamber Music Series, which features artists who have established themselves as favorites with our audiences and those we enthusiastically welcome for the first time. Our season opens October 20 with cellist Santiago Cañón-Valencia, who wowed us a couple seasons ago with a solo recital and will return with pianist Victor Santiago Asuncion in an adventurous program of duos. The season also features two remarkable string quartets (longtime Athenaeum favorites, the Maxwell Quartet, on November 17 and gut string heroes, the Diderot Quartet) on April 14; star pianist Conor Hanick on March 16; early music experts, the Artifex Consort, on May 4; and two of our important teachers, violinist Andrés Cárdenes and cellist Steven Doane, joined by local favorite pianist Ines Irawati, on February 23. Putting these concerts together has been a true labor of love, and we can’t wait to welcome you back in October! Monday, October 20, 2025—Santiago Cañón-Valencia (cello) with Victor Santiago Asuncion (piano) Superstar cellist Santiago Cañón-Valencia returns to open our season with a dreamy duo program of French sonatas, unique transcriptions, and Stravinsky’s Suite Italienne (adapted from his ballet Pulcinella). Cañón-Valencia is a BBC Next Generation Artist and Tchaikovsky Competition silver medalist; his skill is hailed by The Strad as “technically flawless … totally under the skin of the composers’ idioms.” Monday, November 17, 2025—Maxwell String Quartet A longtime favorite on the Athenaeum chamber music series, the Maxwell String Quartet returns with a colorful program that opens with their signature dose of Scottish folk tunes, followed by Edmund Finnis’s first quartet, a poetic work that draws inspiration from the choral music of William Byrd, which closes the first half in an arrangement by the Maxwell String Quartet. Brahms’s epic second quartet rounds out this exciting evening. Monday, February 23, 2026—Andrés Cárdenes (violin), Steven Doane (cello), Ines Irawati (piano) This special “lineage” program combines world-class performers and pedagogues in their debut performance as a trio, featuring romantic lyricism alongside playful folk melodies, culminating in Dvorak’s always riveting “Dumky” piano trio. Monday, March 16, 2026—Conor Hanick (piano) We eagerly welcome pianist Conor Hanick to the Athenaeum for the first time for an adventurous solo recital featuring Charles Ives’s monumental first sonata and two Schubert Impromptus paired with a new revision of Samuel Carl Adams’s Three Impromptus (a West Coast premiere) inspired by Schubert. Tuesday, April 14, 2026—Diderot String Quartet The Diderot String Quartet will make their Athenaeum debut with a journey to 18th century Vienna, featuring masterpieces by Haydn, Mozart, and Beethoven. One of the premiere ensembles performing on gut strings and historical instruments, this dynamic group (Adriane Post, violin; Johanna Novom, violin; Kyle Miller, viola; Paul Dwyer, cello) breathes new life into old works. Monday, May 4, 2026—Artifex Consort Specializing in the rich and varied “sound-world” of the late 17th century, the Artifex Consort (Malachai Komanoff Bandy, Rebecca Landell, and Eva Lymenstull, bass viols; John Lenti, theorbo; Ian Pritchard, keyboards) closes our season with works showcasing the viola da gamba as an ensemble instrument outside of the English consort tradition, during the height of its later flourishing in parts of England and Germany. The program features virtuosic music for two bass viols by Christopher Simpson and Johannes Schenck, alongside lush and ingenious—though little-known—works for three bass viols by Benjamin Hely and Johann Michael Nicolai. All concerts are preceded by a pre-concert talk at 6:45 p.m. and are followed by a reception with the artists in the Sharon & Joel Labovitz Entry Hall. The Diderot String Quartet concert is generously sponsored by Sally and Einar Gall. Athenaeum Members: Unlock exclusive video access to the 2023–2024 Chamber Concert Series, featuring pre-concert talks and performances. Dive into the music with behind-the-scenes insights and captivating performances from world-class artists. Please contact the Athenaeum for the password to access these videos. Athenaeum Music & Arts Library on Facebook / Instagram
1,452 of 27,417