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  • Mary Badham was 10 years old when her performance as Scout earned her an Oscar nomination. Now, six decades later, she's touring the country's stages in the Broadway version.
  • Medicare suddenly stopped paying for the pricey drug that prolongs his life. As he waits for an appeal, this retired physician wonders if he should give up treatment to spare his family the cost.
  • In his Thursday evening address to the nation, President Biden chose a risky strategy of criticizing elected GOP officials while trying not to alienate Republican voters.
  • Warner Bros. Discovery has shelved production of its film Batgirl. It's a good time to recall her path to this point.
  • It's not welcoming news to advocates who want to keep it as a space for people in the U.S and Mexico to reconnect.
  • School staff across San Diego county will participate in training sessions for student mental health awareness starting this week.
  • An academic consortium called PRISM wants to remove the data processing bottleneck that stands in the way of artificial intelligence and things like drug discovery.
  • Governor Newsom says starting April 1, all Californians 50 and over will become eligible for COVID-19 vaccinations. Then on April 15, eligibility extends to everyone 16 and over. Plus: owls, spring breakers, virtual performing arts and more. Support San Diego News Now by becoming joining the KPBS family today. www.kpbs.org/donate
  • Researchers at NYU have conducted a study on how long it takes for people to decide whether they love or hate a song.
  • Ana de Alvear (born 1962), is an artist and filmmaker from Madrid, Spain who has exhibited throughout Asia, Europe, and South America. This is her first solo exhibition in the United States. Despite seemingly traditional subject matter, the title of this exhibition invites the public to question the veracity of what they see and hear, a contemporary concern in an age of frequent misinformation. As one looks closely at her work, it becomes evident that there are layers of meanings and deceptions. What originally appear as photographs or even paintings are all achieved, in astonishing hyper-realistic detail, with the humble medium of colored pencil. This repartee with the history of art is not new; René Magritte spoke of “the treachery of images” and artists have been using trompe l ’oeil (fooling the eye) techniques in painting for years to dialogue with the reality of the image, a conversation made more acute with the advent of photography and extended further into the digital age. Yet with de Alvear’s drawings, there is no digital or mechanical process involved. Beyond this, de Alvear uses stuffed animals, knockoff porcelain, and plastic flowers and insects as her subjects to probe ironically the values of contemporary society. The compositions are inspired by European still-life paintings dating back to the seventeenth century, wherein artists painted such highly prized items as tulips, crystal, and imported porcelain, alongside insects and symbols of decay as memento mori (reminders of death). Initially appearing humorous and playful, the inclusion of toys in de Alvear’s works nevertheless also embodies darker meanings of lost childhood and trauma, while the ubiquitous presence of plastic, only visible upon close scrutiny, alludes to the current crisis of the environment and impending animal extinctions, such as the artificial bee attempting to pollinate plastic flowers. Humans’ position in the universe is laid before us as we are made more aware of our physicality and scale in the presence of two dramatic galaxy murals, each comprising fifty elaborately executed drawings. Related Programs and Events: Friday, June 18, 2021 Art Alive Members' PreviewSaturday, June 19, 2021 Art Alive Members' PreviewFriday, August 6, 2021 SDMA+ Naruwan Taiko: In the Forced VortexFriday, September 17, 2021 SDMA+ Disco Riot: Everything You See Could Be a Lie
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