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  • In honor of the 25th anniversary of Biggie Smalls' passing we hear from artists about the impact of his ‘Ready to Die’ album. Plus we talk to show promoter 60East about what it’s like throwing live shows in the pandemic. Music: • Odessa Kane & Tres ‘Sojourn’ Hodgens - Gimme the Loot (freestyle) Guests: • Joey “60 East” Atilano https://www.sixtyeast.net/ • Wackoe Vincent Enriquez • DJ Alex Lopez https://supremedjent.com/ Credits: Parker Edison (Host), Kurt Kohnen (Co-creator), Chris Reyes (Head Editor) and Tres ”Sojourn” Hodgens (Score Producer)
  • The famed silkscreen printer, whose work is on display at the Kreeger Museum's exhibition "Lou Stovall: On Inventions and Color," pioneered an artform while building community in Washington, D.C.
  • Beyoncé, Adele, Styles, Lizzo, Kendrick Lamar and Bad Bunny all took home trophies during Sunday night's telecast, but some won bigger than others.
  • UCSD scientists designed a wearable patch they said can connect to a laptop to show you the functions of your heart.
  • Generation Z, which turned out in large numbers along with millennials last election, is still new to politics. A report exclusively obtained by NPR adds more context to the youngest voting bloc.
  • "Here There Are Blueberries" at the La Jolla Playhouse follows an album of surprising photos from Auschwitz, and the Holocaust Memorial Museum archivist who works to uncover the album's origins and secrets.
  • With four new prizes tonight, the megastar has now won more Grammys than any other artist in the awards' 65-year history. But Harry Styles took home the evening's biggest prize.
  • From the gallery: On view now at Quint ONE: An installation of lenticulars and glass-blown mixed media sculptures from the oeuvre of brothers and artistic collaborators Einar and Jamex De La Torre. The artists were born in Guadalajara, Mexico but now create on both sides of the border in Baja California, Mexico and San Diego, CA. This multicultural perspective functions literally through their employment of lenticular technology, which uses multiple images meant to be viewed independently from different angles but merge together when viewed head on. This perspective arises in the central work of the exhibition, Vodyanoy, which suffuses its title character (a creature of the swamps from slavic mythology that can care for people or drown them) with metaphors for a nature-deity serving an overdue bill for humanity’s excess. The results are shifting images of both utopian salvation and realistic warning, evidenced through the clean water flow brought on by meditative Sufi Whirling Dervishes. In the alternating image, a murky green swamp serves as the backdrop for Flemish renderings of the wounded and dead from futile wars. The De La Torre Brothers’ endless book of historical, cultural, religious, and artistic references are all compounded on and distilled in the moral storytelling which permeates their practice. Also included in the exhibition are mixed media blown glass sculptures created over the past decade whose motifs elaborate on the multi-layered concerns of the De La Torre Brothers, including financial excess, corruption, and consumerism, which often lead back to the natural disasters looming large on the planet. Vodyanoy will remain on view at ONE through October 30, 2021
  • Distance learning during the pandemic has only worsened the achievement gap between students from marginalized communities and those growing up in privilege. But could there be some long-term benefits to this experience? Meanwhile, a full look at the recall efforts against Governor Gavin Newsom as recall leaders say they have enough signatures. Plus, weekend preview with KPBS’ Arts Calendar Editor.
  • Sure, Beyoncé and Adele might scoop up even more awards for their collections. But with prizes being handed out in 91 categories, a lot of folks stand to see career boosts due to the Grammy Awards.
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