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As America turns 250, voters from our Swing Shift project talk about the state of the country. Their views ranged from "uncertain" and "concerned" to "excited" and "cautiously optimistic."

Fusion centers allow law enforcement agencies to share intelligence and investigation leads, but some state lawmakers worry there’s a lack of oversight.

Music and Lyrics by Mark Hollmann Book and Lyrics by Greg Kotis Directed and Choreographed by Katie Banville & Melissa Glasgow Music Direction by Michelle Grey "Urinetown, The Musical" is a hilarious musical satire of the legal system, capitalism, social irresponsibility, populism, environmental collapse, privatization of natural resources, bureaucracy, municipal politics, and musical theatre itself! In a city not unlike our own, a terrible water shortage, caused by a 20-year drought, has led to a government-enforced ban on private toilets. The citizens must use public amenities, regulated by a single malevolent company that profits by charging admission for one of humanity's most basic needs. Amid the people, a hero decides that he's had enough and plans a revolution to lead them all to freedom! Tickets are available at www.StagehouseTheatre.com or by calling 619-644-7234. Grossmont College Theatre Arts on Facebook / Instagram

Behind the acid blood and jump scares of the Alien franchise is an even more insidious horror: a single employer with unchecked power. How Weyland-Yutani helps explain monopsony — and the rise of inequality on Earth.

The two-time NASCAR champion died on Thursday, a day after passing out in a Chevrolet simulator.

Children closest to an incident of gun violence have the most risk of lasting psychological effects. Here's what all parents should know about how to buffer trauma.

On March 1, Sound Praxis presents an evening of adventurous electronic music! Featuring Scottish/Arizona-based Lauren Sarah Hayes, Michelle Lou, and T Putnam Hill, this event brings together live electronics, field recordings and sound collage, embodied performance, and more. This presentation is generously hosted by Folk Arts Rare Records in City Heights! Lauren Sarah Hayes is a Scottish improviser, sound artist, and scholar who is recognized for her embodied approach to computer music. Her music is a mix of experimental pop/live electronics/techno/noise/free improvisation and has been described as ‘voracious’ and ‘exhilarating’. As a live sound sculptor, she manipulates, remixes, and bends voice, drum machines, analogue synths and self-built software. She has toured extensively across Europe and North America, including as part of her tenure with the New BBC Radiophonic Workshop. Her work has been released on Superpang, Hard Return, Pan Y Rosas Discos, LOL Editions, Werra Foxma, Sunwarped, and Harmonic Ooze Records. Michelle Lou composes mainly in the realm of electro-acoustic music, both in hardware and in computer based forms. She has also created large scale sound installations which are often performative and collaborative. She performs and improvises on acoustic and electric bass, electric guitar, and on laptop and various electronics. Her work has been presented at Wien Modern, Donaueschinger Musiktage, Darmstadt Ferienkurse, Bludenzer Tage zeitgemäßer Musik, The Festival of New American Music (Sacramento), the MATA Festival (New York City), The 66th American Music Festival at the National Gallery in Washington D.C., The Rainy Days Festival (Luxembourg), Ultima Festival (Oslo), Chance and Circumstance (Brooklyn), Klub Katarakt (Hamburg), Klangwerkstatt and MaerzMusik (both in Berlin), amongst others. T Putnam Hill is a writer, editor, guitarist, and electroacoustic musician currently based in Austin, Texas. In recordings and performance, Hill produces impromptu audio collages of various sound materials—from live guitar to field recordings to feedback loops—to create auditory environments that drift between stasis and disorder, from harmonic to discordant, and from the organic to synthetic. Hill is an active member of Phonography Austin, a sound arts organization dedicated to the exploration of phonography and acoustic ecology, and founder of Loma Editions, a nascent multimedia label focused on electroacoustic music and experimental literature. March 1, 2026 Folk Arts Rare Records @ 3610 University Ave Music at 6 p.m. $15 suggested (NOTAFLOF) Refreshments available All proceeds to the artists

County officials tightly restricted access to the building, and armed sheriff’s deputies removed at least three people who had come to oppose the project.

The author restores balance in the homophones with her latest novel; both stories are thought-provoking, although somewhat less beguiling than her usual fare.

Sherri Goodman, who coined the term “threat multiplier” regarding climate change, will speak at SDSU in the Student Union Theatre on Thursday, Nov. 20 at 4:30 p.m. This event is presented by the International Securiy and Conflict Resolution (ISCOR) program at the College of Arts and Letters, through generous funding by donor and alumnus Edward Uechi (ISCOR '05). Additional support is also provided by the Center for War and Society.