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  • Dive into a world of holiday magic and crafting delight with our Gift Card Holder Workshop! Join us for a few hours of creative bliss as we guide you through crafting charming and versatile holders just in time for the holidays. Whether it's for birthdays, graduations, or any special occasion, these personalized creations are bound to leave a lasting impression. With easy-to-follow instructions and abundant decorating options, you'll be amazed at how quickly you'll master this craft. Join us for an unforgettable workshop that will leave you filled with holiday spirit and handmade treasures! Reserve your spot now and let's craft some magic together. Enjoy complimentary snacks and beverages. Space is limited, so be sure to register early. All materials are included. Cancellation Policy: All workshops are non-refundable. However, tickets can be easily transferred to another person by emailing the name and email address of the new participant to design@strengerstudio.com For more information visit: strengerstudio.com Stay Connected on Facebook
  • Join us for a FREE, all ages, monthly vegan market at Grossmont Center. We’ll be celebrating the vegan lifestyle with all-vegan eats, sweets, drinks, goods, and music! In June First Friday Night Market celebrates San Diego’s LGBTQ+ community with vendors from across Southern California for the country of San Diego. Site offers unlimited parking! Most vendors bring at least one gluten free menu item! veganinsandiego.com/ffnm/
  • The average price of a gallon of self-serve regular gasoline in San Diego County rose Wednesday for the 23rd consecutive day, increasing four-tenths of a cent to $5.235.
  • Today is the first day of school for students in the Chula Vista Elementary and Sweetwater Union High School districts. Plus, a local festival is set to celebrate the history and heritage of Filipino Americans in San Diego.
  • UC San Diego Library’s 23rd Annual Toy Piano Festival Tuesday, September 5 at noon in the Seuss Room of UC San Diego’s Geisel Library building. The September 5th date is of interest as John Cage’s birthday: Cage was the composer credited with writing the first “serious” work for toy piano. Performers at the festival include: Kris deKlerk, Kay Etheridge, Christian Hertzog, Kenneth Herman, Bridgette Hines, Bobby Ortiz, Sue Palmer, Scott Paulson, and Barbara Scheidker. Exciting new works for toy piano and traditional lullabies from many lands will be featured on the program. UC San Diego’s history with toy pianos dates back to 1966 when composer Robert Erickson, a founder of the university’s music department, wrote a piece for toy pianos and bells that premiered on California’s PBS television stations. The first composer to write a “serious” work for toy piano was John Cage, who visited the UC San Diego campus on several occasions, including a two-week stay as a Regents lecturer in the 1980s. Alumnus Scott Paulson, who was on campus for Cage’s lectures, cites the Cage influence as a major part of the impetus of this festival, of which Paulson is the director. Fun facts: - In 1999, a missing service bell at a Geisel Library help desk spawned a long streak of toy piano activity here at UC San Diego. The bell was replaced by a playful tiny keyboard and a sign: “Please play on toy piano for service.” And play they did! - The resultant flurry of toy piano activity led to the establishment of The Toy Piano Collection at Geisel Library. The Toy Piano Collection consists of actual instruments, commissioned scores, and extant literature and recordings. Most of the commissioned scores in the collection are composed by UC San Diego alumni. - In May 2001, the Library of Congress issued a subject heading and call number for toy piano scores because of the activities at Geisel Library. The collection can be viewed under the call number M 175 T69. For more information visit: library.ucsd.edu
  • Los votantes jóvenes de California y de todo el país están entusiasmados con la vicepresidenta Kamala Harris. Los demócratas están tratando de sacar provecho, contando con un aumento en las urnas para ganar carreras clave en el Congreso.
  • Nominated for 3 categories in the San Diego Music Awards, Daring Greatly continues their residency at Old Town Blues Club on April 20, 2023. The doors open at 7 p.m. and the show starts at 7:30 p.m. No food is served, nor is outside food permitted, so please plan accordingly. 21 and over only. There are no reservations. All tables seat 4. Sitting is all first come first served with no guarantee of sitting together as a group. We will do our best to accommodate. We advise that you arrive early. There are tickets for inside and outside seating at different price points. About Daring Greatly: Daring Greatly is a dynamic and accomplished band from Calgary, AB. Their unique fusion of classic and modern rock, with southern influences of country and pop has captivated audiences across the Western US and Canada for over eight years. Lead vocalists Patrick and Liam Croome's brotherly connection shines through their performances, and drummer Brayden Tario's long-time friendship with the brothers adds comfort and camaraderie. The band welcomed electric guitarist David Mills in 2019, adding a distinct California sound, and Matt Spatol on bass in 2021. Their 3 nominations in the 2023 San Diego Music Awards for "Best Rock Artist" “Best Rock Album - Gird Valley” & “Song of the Year - Never A Goodbye” reflects their devoted fanbase. The band draws inspiration from Brene Brown's writings and Theodore Roosevelt's "The Man in the Arena."
  • Second Chance Community Day is an opportunity for individuals, families, and friends to come together and learn about the products and resources offered by local businesses and organizations, including information and access to health and wellness resources. In December, Community Day will be celebrating the holidays! The event will feature LIVE MUSIC from DJ Noel, fresh produce for purchase, exceptional local vendors from Southeastern San Diego, exciting crafts, and holiday shopping. Guests will enjoy free nachos, cotton candy, & hot chocolate. The event also promotes the Project New Village fresh produce truck that is featured at Second Chance each community day.
  • Now in its 33rd year, the Environmental Media Awards might be the most celebrity-studded awards ceremony you've never heard of.
  • The Data Pharmacy Speaker: Joshua Neves, Associate Professor and Canada Research Chair, Concordia University Respondent: Daisuke Miyao, Professor and Hajime Mori Chair in Japanese Language and Literature, UC San Diego Hosted by Wentao Ma, Ph.D. Student, Literature Department, UC San Diego This event will be held via Zoom Webinar -- registrants will receive the Zoom link prior to the event start time. Abstract This talk explores three insights from my current research and collaborations examining cultures of optimization and the entanglement of big data and big pharma. One key starting point for this work is what Paul Preciado, in Testo Junkie, calls somatechnics to describe processes whereby media technologies are not merely added to or encountered by bodies/subjects – as with McLuhanist “extensions” or ideas about spectatorship, and the like - but are rather “the very means by which corporeality is crafted.” While Preciado’s main concerns are the operations of sexuality and subjection under the new biocapitalism, his recognition that pharmaceutical and digital media industries are crucial to the reproduction of the present has yet to be taken seriously by media theorists. Building on these and related debates, this brief presentation focuses on somatechnics and three aspects of our techno-pharmacological condition – or what this lecture series terms media care – namely: changes in how we understand and perform resilience; the critical role of stimulation in animating modes of media enfleshment; and emergent forms of mood conditioning. These insights do not promise a comprehensive view, but rather signal intensifying relations between data and drugs in practices of self-making, wellness, and work. Biography Joshua Neves is Associate Professor of Film Studies and Director of the Global Emergent Media (GEM) Lab at Concordia University. His research focuses on global and digital media, cultural and political theory, and questions of development and legitimacy. Dr. Neves is co-author (with Aleena Chia, Susanna Paasonen, and Ravi Sundaram) of Technopharmacology (Minnesota University Press / Meson Press, 2022) and author of Underglobalization: Beijing’s Media Urbanism and the Chimera of Legitimacy (Duke University Press, March 2020). He is also co-editor (with Bhaskar Sarkar) of Asian Video Cultures: In the Penumbra of the Global (Duke University Press, 2017), as well as co-editor of recent or forthcoming journal issues examining convenience, paranoia, optimization, and populism. His work is published in Media Theory, Cultural Critique, Social Text, Discourse, Culture Machine, Film Quarterly, Cinema Journal, Sarai, The Routledge Companion to Risk and Media, among others. About the Media Care Talk Series Dozing at the movie theater, listening to the podcast on the subway, counseling via Zoom appointments, searching immigration policy on the internet…In this increasingly crumbling world, media offer maintenance and sustain our vitality while they also harm our well-being through abuse and addiction. This talk series examines the concept of care and showcases the process of knowledge production surrounding artificial care in media practice. We will browse a range of media objects and platforms - from cinema to teletherapy, from smart drugs to sleep apps - and explore the habitual, affective, and material potential of healing and solidarity within film and media theories. This series is co-organized by the Film Studies Program and the Suraj Israni Center for Cinematic Arts at UC San Diego with generous support from the following: 21 Century China Center, Department of Communication, Department of Visual Arts, Department of Literature, and the Institute of Arts & Humanities. Questions Email Suraj Israni Center By registering for this event you agree to receive future correspondence from the Suraj Israni Center for Cinematic Arts, from which you can unsubscribe at any time.
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