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Arts & Culture

San Diego Film Critics Society Awards

BEST FILM:

No Country for Old Men Runner-up: There Will Be Blood

BEST DIRECTOR: Paul Thomas Anderson, There Will Be Blood

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Runners-up: Joel and Ethan Coen, No Country for Old Men

BEST ACTRESS: Julie Christie, Away From Her

Runner-up: Ellen Page, Juno

BEST ACTOR: Daniel Day-Lewis, There Will Be Blood

Runners-up: (tie) Viggo Mortensen, Eastern Promises , and Russell Crowe, 3:10 to Yuma

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BEST SUPPORTING ACTRESS: Amy Ryan, Gone Baby Gone

Runner-up: Cate Blanchett, I'm Not There

BEST SUPPORTING ACTOR: Tommy Lee Jones, No Country for Old Men

Runner-up: Tom Wilkinson, Michael Clayton

BEST ORIGINAL SCREENPLAY: Diablo Cody , Juno

Runners-up: Gerard Soeteman and Paul Verhoeven, Black Book

BEST ADAPTED SCREENPLAY: Paul Thomas Anderson, There Will Be Blood

Runners-up: (tie) Joel and Ethan Coen, No Country for Old Men, and Christopher Hampton Atonement

BEST FOREIGN LANGUAGE FILM: The Diving Bell and the Butterfly (France)

Runner-up: The Orphanage (Spain)

BEST DOCUMENTARY: (tie) Crazy Love and Deep Water

BEST ANIMATED FILM: Ratatouille

Runners-up: (tie) Persepolis ansd Paprika

BEST CINEMATOGRAPHY: Roger Deakins, No Country for Old Men

Runner-up: Robert Elswit, There Will Be Blood

BEST PRODUCTION DESIGN: Dante Ferretti, Sweeney Todd: The Demon Barber of Fleet Street

Runner-up: Sarah Greenwood, Atonement

BEST EDITOR: Paul Tothill, Atonement

Runners-up: Christopher Rouse, The Bourne Ultimatum, Roderick Jaynes (the psyeudonym for Joel and Ethan Coen), No Country for Old Men , and John Gilroy, Michael Clayton

BEST SCORE: Jonny Greenwood, There Will Be Blood

Runner-up: Dario Marianelli, Atonement

BEST ENSEMBLE PERFORMANCE: No Country for Old Men

BODY OF WORK: Christian Bale: 3:10 to Yuma, Rescue Dawn , I'm Not There

KYLE COUNTS AWARD: Larry Zeiger, retired Point Loma High School teacher

We also voted on the worst film of the year but I was sworn to secrecy on that one. (All I can tell you is that I picked Mr. Magorium's Wonder Emporium as the year's most painful film experience.)

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