Three figures, each more monster than man, cast long shadows over the 19th century gothic novel: a vampiric count, seeking new hunting grounds; a wanderer, cornered after a lifetime spent avoiding damnation; and a sinister, drug-addicted uncle, intent upon securing a wealthy estate even if it means murdering a niece to do so. These three works — Charles Maturin's Melmoth the Wanderer, Uncle Silas by Joseph Sheridan Le Fanu and Bram Stoker's Dracula — represent the cornerstones of the Anglo-Irish gothic tradition.
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