Play Live Radio
Next Up:
0:00
0:00
Available On Air Stations
Watch Live

Search results for

  • Sundays, 1 p.m.– 4 p.m. January 12–March 2 (8 weeks, 24 total hours of instruction) La Jolla Studio “Fauvism is not everything, but it is the foundation of everything.”—Henri Matisse Henri Matisse, Andre Derain, and Maurice Vlaminck were the creators of this powerful era in art of the early 1900s. The act of painting itself was at the heart of Fauvism. It was the first movement to insist in explicit terms that a painting is the canvas and the pigments—not the subject. This class will explore the Postimpressionist movement that led to the Fauve movement strongly influencing the art of the 20th century. Leaving behind classic color, perspective, and subject matter, moving into exciting, bold, vibrant colors, spontaneous compositions, and highly gestural application of paint techniques is what we will explore painting in session. A pink sky? Why not! Come join the fun, freedom, and excitement of expressive Fauve painting. This class is for all levels of painters, both beginning and experienced artists. You are also welcome to do your own work. This is a good place to be with other talented painters and enjoy the creative atmosphere here at the Athenaeum. Please let me know if you have any questions. I am happy to help. sharoncaroldemery@gmail.com Materials: Paints: Your preference of paints: oil, acrylic, watercolor, gouache … you name it! Please include Titanium White, Cadmium Yellow Light (cool yellow), Cadmium Yellow (warm yellow), Cadmium Red Light, Alizarin Crimson, Ultramarine Blue, Cerulean Blue, Viridian Green or Phthalo Green. Plus any colors of paint that you would like to use. Brushes: Bring a variety of brushes for your choice of paints that include #2, #4, #6, #8. Good quality brushes make a difference. Other materials: 12” x16” paper palette pad; odorless Turpenoid and linseed oil for oils; soft vine charcoal; 1.5- or 2-inch palette knife; paper towels; two small jars with lids; spray bottle for acrylic painters; sketchbook; color pencils; four canvas or canvas boards, 11” x 14” or your preference. Good quality watercolor paper for watercolor painters. Suggested items: Masterson Sta-Wet Palette Seal to keep paints moist; glass palette to go inside the box making paint easier to mix; Silicoil jar with spring in the bottom to clean brushes; two tall containers to hold clean and used brushes at your station in the studio. Max students: 13 Visit: https://www.ljathenaeum.org/classes/15 Athenaeum Music & Arts Library on Instagram and Facebook
  • Trump and the Department of Government Efficiency — a body headed by billionaire Elon Musk — have committed to trim the U.S. government and ensure states bar diversity and equity programs.
  • The San Diego County Board of Supervisors voted 4-0 Tuesday to delay selection of a new chair, vice chair and pro tem until April 22, after the primary election to choose a new District 1 supervisor.
  • Schools in the Spencer Valley School District closed at noon Thursday due to inclement weather and hazardous road conditions.
  • Americans across the country received harmful hate messages via text after the election. The communication industry has been trying to figure out how it happened.
  • Richard Strauss’ Tod und Verklarung (Death and Transfiguration) is a monumental meditation on the journey of life, beginning in childhood, through the trials and joys of adulthood, and ending in the transfiguration of the spirit. Music Director Rafael Payare conducts the Symphony in Strauss’ powerful tone poem along with William Walton’s beautifully lyrical and nostalgic Viola Concerto, written when the composer was only 27 years old; the concerto was intended for the great soloist Lionel Tertis, who played an 18th century viola of enormous dimensions with a sound of extraordinary richness, almost like a cello. The result is one of the few widely played concertos for this instrument, demanding from the soloist the sweetest melodic playing with the most vigorous and athletic virtuosity. The concert ends with Brahms’ melancholy and hauntingly beautiful Second Symphony. This immortal work was written in one of Brahms’ favorite vacation retreats, in southern Austria on the beautiful lake of the Wörthersee. “Here," said Brahms, “the melodies grow so thick upon the ground that one must take care not to step on them as one walks.” In an equally humorous mood, he wrote to his publisher about his new symphony: “I have never written anything so sad, and the score must be published in mourning clothes.” Visit: https://www.sandiegosymphony.org/performances/symphonic-journeys-strauss-walton-brahms/ San Diego Symphony on Instagram and Facebook
  • Nearly 1,000 teachers and other staff in the San Diego Unified School District plan to retire at the end of the year. They’re taking the district up on an offer meant to help address its budget deficit.
  • Nearly half a dozen institutions of higher education announced plans this week to make tuition free for undergraduates whose families make below a certain income threshold, starting in fall 2025.
  • From Jennifer Coburn, the USA Today bestselling author of Cradles of the Reich, comes a poignant and inspiring tale of resistance, friendship, and the dangers of propaganda, based on the real story of Theresienstadt, perfect for fans of WWII historical novels such as The Forest of Vanishing Stars and The German Wife. Come help us celebrate Jennifer’s book launch (a week before publication date!) celebrating Girls of the Glimmer Factory. Pre-order a hardcover copy below to receive priority seating (limited spaces available) at the event, but hurry, event is expected to sell out. Visit: The Girls of the Glimmer Factory: a Book Launch Adventure featuring USA Today bestselling author Jennifer Coburn Jennifer Coburn on Instagram and Facebook
  • The council's vote came days after Mayor Todd Gloria announced he would no longer pursue converting a warehouse between Interstate 5 and the airport into a permanent homeless shelter.
1,972 of 2,373